OLC Slavistik: 17 hits for Q4680 on page 2

Die Datenbank "Online Contents" (OLC) Slavistik versammelt Aufsatztitel aus ca. 498 wichtigsten slawistischen Zeitschriften mit dem Berichtszeitraum vom 1998 bis heute und wird laufend durch die Staatsbibliothek zu Berlin - Preußischer Kulturbesitz bestückt. Eine Autorenliste kann als Tag Cloud eingesehen werden.

Ihre Suche nach Q4680 lieferte 17 Treffer
11	Еротизации на женските коси в цикъла „Царици на нощта" на П. К. Яворов = Erotic Symbolism Of Women’s Hair In The Poetic Cycle “Queens Of The Night” By Yavorov Владимирова, Боряна - Bălgarski ezik i literatura : dvumesečno naučno-metodičesko spisanie, Sofia : Az Buki Nacionalno izdatelstvo za obrazovanie i nauka, 2020, 62, 6, 648-654
12	Mariya Lesiv, The Return of Ancestral Gods. Modern Ukrainian Paganism as an Alternative Vision for a Nation. McGill-Queen's University Press, Montreal&Kingston, London, Ithaca 2013 Radulović, N. - Narodna umjetnost : hrvatski časopis za Etnologiju i Folkloristiku, Zagreb, 2015, 52, 2, 296-298
13	J. Douglas Clayton: Pierrot in Petrograd. The Commedia dell̕Arte I 'Balagan' in Twentieth-Century Kassian Theatre and Drama. Montreal u.a.: McGill-Queen's University Press 1994 Koschmal, Walter - Balagan : slavisches Drama, Theater und Kino, München : Kubon & Sagner, 1995, 1, 2, 125-132
14	Odbiorco, kim jesteś - w swoich oczach - w oczach narratora? Kilka uwag o "Pawiu królowej" Doroty Masłowskiej = Reader - who are you (in your own eyes, in the eyes of the narrator)? Some comments on Dorota Masłowska's "The Queen's Peacock" Wiśniewska, Elżbieta - Ruch literacki : wydawnictwo Komisji Historycznoliterackiej Polskiej Akademii Nauk przy współudziale Towarzystwa Literackiego Im. A. Mickiewicza, Kraków : Secesja, 2010, 51, 4/5, 459-474
15	"Ispoved' angličanina, ljubitelja opiuma" Tomasa de Kvinsi v kontekste evropejskich literaturnych ispovedej = "The Confessions of an English Opium-Eater" by Thomas de Quincey in the Context of European Literary Confessions Krylova, M. P. - Vestnik molodych učenych, Sankt-Peterburg, 2003, 2, 25-33
16	Lustra królowej. Obraz tragedii w perytekstach staropolskich i oświeceniowych przekładów Corneille’a i Racine’a = The Queen’s Looking Glasses: Images of Tragedy in the Peritexts of Old Polish Translations of Corneille and Racine Bajer, Michał - Teksty drugie : teoria literatury, krytyka, interpretacja, Warszawa : IBL PAN, 2015, 1, 232-252
17	Muzyka kak narrativoobrazujuščij trop i ironičeskaja ustanovka v poėme Uollesa Stivensa "Piter Pigva za klavikordami" = Music as a narrative-forming device and ironic mode in Wallace Stevens' "Peter Quince at the Clavier" Švec, A. V. - Novyj filologičeskij vestnik, Moskva, 2018, 2, 47-57

Online Contents (OLC) Slavistik

Еротизации на женските коси в цикъла „Царици на нощта" на П. К. Яворов = Erotic Symbolism Of Women’s Hair In The Poetic Cycle “Queens Of The Night” By Yavorov

Mariya Lesiv, The Return of Ancestral Gods. Modern Ukrainian Paganism as an Alternative Vision for a Nation. McGill-Queen's University Press, Montreal&Kingston, London, Ithaca 2013

J. Douglas Clayton: Pierrot in Petrograd. The Commedia dell̕Arte I 'Balagan' in Twentieth-Century Kassian Theatre and Drama. Montreal u.a.: McGill-Queen's University Press 1994

Odbiorco, kim jesteś - w swoich oczach - w oczach narratora? Kilka uwag o "Pawiu królowej" Doroty Masłowskiej = Reader - who are you (in your own eyes, in the eyes of the narrator)? Some comments on Dorota Masłowska's "The Queen's Peacock"

"Ispoved' angličanina, ljubitelja opiuma" Tomasa de Kvinsi v kontekste evropejskich literaturnych ispovedej = "The Confessions of an English Opium-Eater" by Thomas de Quincey in the Context of European Literary Confessions

Lustra królowej. Obraz tragedii w perytekstach staropolskich i oświeceniowych przekładów Corneille’a i Racine’a = The Queen’s Looking Glasses: Images of Tragedy in the Peritexts of Old Polish Translations of Corneille and Racine

Muzyka kak narrativoobrazujuščij trop i ironičeskaja ustanovka v poėme Uollesa Stivensa "Piter Pigva za klavikordami" = Music as a narrative-forming device and ironic mode in Wallace Stevens' "Peter Quince at the Clavier"