OLC Slavistik: 17 hits for Q4680 on page 2

The database "Online Contents" (OLC) Slavistics gathers the approx. 300,000 tables of contents of approx. 498 most important Slavic periodicals with the reporting period from 1998 until today and is being processed continuously by the Berlin State Library - Prussian Cultural Heritage. A list of authors as tag cloud can be found here.

Your search for Q4680 provides 17 hits
11	Еротизации на женските коси в цикъла „Царици на нощта" на П. К. Яворов = Erotic Symbolism Of Women’s Hair In The Poetic Cycle “Queens Of The Night” By Yavorov Владимирова, Боряна - Bălgarski ezik i literatura : dvumesečno naučno-metodičesko spisanie, Sofia : Az Buki Nacionalno izdatelstvo za obrazovanie i nauka, 2020, 62, 6, 648-654
12	Mariya Lesiv, The Return of Ancestral Gods. Modern Ukrainian Paganism as an Alternative Vision for a Nation. McGill-Queen's University Press, Montreal&Kingston, London, Ithaca 2013 Radulović, N. - Narodna umjetnost : hrvatski časopis za Etnologiju i Folkloristiku, Zagreb, 2015, 52, 2, 296-298
13	J. Douglas Clayton: Pierrot in Petrograd. The Commedia dell̕Arte I 'Balagan' in Twentieth-Century Kassian Theatre and Drama. Montreal u.a.: McGill-Queen's University Press 1994 Koschmal, Walter - Balagan : slavisches Drama, Theater und Kino, München : Kubon & Sagner, 1995, 1, 2, 125-132
14	Odbiorco, kim jesteś - w swoich oczach - w oczach narratora? Kilka uwag o "Pawiu królowej" Doroty Masłowskiej = Reader - who are you (in your own eyes, in the eyes of the narrator)? Some comments on Dorota Masłowska's "The Queen's Peacock" Wiśniewska, Elżbieta - Ruch literacki : wydawnictwo Komisji Historycznoliterackiej Polskiej Akademii Nauk przy współudziale Towarzystwa Literackiego Im. A. Mickiewicza, Kraków : Secesja, 2010, 51, 4/5, 459-474
15	"Ispoved' angličanina, ljubitelja opiuma" Tomasa de Kvinsi v kontekste evropejskich literaturnych ispovedej = "The Confessions of an English Opium-Eater" by Thomas de Quincey in the Context of European Literary Confessions Krylova, M. P. - Vestnik molodych učenych, Sankt-Peterburg, 2003, 2, 25-33
16	Lustra królowej. Obraz tragedii w perytekstach staropolskich i oświeceniowych przekładów Corneille’a i Racine’a = The Queen’s Looking Glasses: Images of Tragedy in the Peritexts of Old Polish Translations of Corneille and Racine Bajer, Michał - Teksty drugie : teoria literatury, krytyka, interpretacja, Warszawa : IBL PAN, 2015, 1, 232-252
17	Muzyka kak narrativoobrazujuščij trop i ironičeskaja ustanovka v poėme Uollesa Stivensa "Piter Pigva za klavikordami" = Music as a narrative-forming device and ironic mode in Wallace Stevens' "Peter Quince at the Clavier" Švec, A. V. - Novyj filologičeskij vestnik, Moskva, 2018, 2, 47-57

Online Contents (OLC) Slavistics

Еротизации на женските коси в цикъла „Царици на нощта" на П. К. Яворов = Erotic Symbolism Of Women’s Hair In The Poetic Cycle “Queens Of The Night” By Yavorov

Mariya Lesiv, The Return of Ancestral Gods. Modern Ukrainian Paganism as an Alternative Vision for a Nation. McGill-Queen's University Press, Montreal&Kingston, London, Ithaca 2013

J. Douglas Clayton: Pierrot in Petrograd. The Commedia dell̕Arte I 'Balagan' in Twentieth-Century Kassian Theatre and Drama. Montreal u.a.: McGill-Queen's University Press 1994

Odbiorco, kim jesteś - w swoich oczach - w oczach narratora? Kilka uwag o "Pawiu królowej" Doroty Masłowskiej = Reader - who are you (in your own eyes, in the eyes of the narrator)? Some comments on Dorota Masłowska's "The Queen's Peacock"

"Ispoved' angličanina, ljubitelja opiuma" Tomasa de Kvinsi v kontekste evropejskich literaturnych ispovedej = "The Confessions of an English Opium-Eater" by Thomas de Quincey in the Context of European Literary Confessions

Lustra królowej. Obraz tragedii w perytekstach staropolskich i oświeceniowych przekładów Corneille’a i Racine’a = The Queen’s Looking Glasses: Images of Tragedy in the Peritexts of Old Polish Translations of Corneille and Racine

Muzyka kak narrativoobrazujuščij trop i ironičeskaja ustanovka v poėme Uollesa Stivensa "Piter Pigva za klavikordami" = Music as a narrative-forming device and ironic mode in Wallace Stevens' "Peter Quince at the Clavier"