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Online Contents (OLC) Slavistics

The database "Online Contents" (OLC) Slavistics gathers the approx. 300,000 tables of contents of approx. 498 most important Slavic periodicals with the reporting period from 1998 until today and is being processed continuously by the Berlin State Library - Prussian Cultural Heritage. A list of authors as tag cloud can be found here.

ID1928824412
Author(s)Pas'ko, I. V.
Title

Poėtičeskaja interpretacija katastrofizma mira v tvorčestve Michaila Oresta = The poetical interpretation of world-catastrophism in Michailo Orest's poetry

PublishedPolitičeskaja lingvistika, Ekaterinburg : Ural'skij Gosudarstvennyj Pedagogičeskij Univ., 2013, 1, 170-175
Languagerus
SoundexP1288; I0627; K4282; T2788; M6450; O0782; P1245; I0627; W0752; C4282; M6450; O0788; P1270
Mediumarticle
URLwww.politlinguistika.ru (homepage)
Holdings (in Germany)see in ZDB-Katalog
Holdingssee in WorldCat
SourceOLC Slavistik
PURLCitation link, BibTeX

More like this:

Trahične svitospryjnjattja v liryci Mychajla Oresta = Tragic perception of the world in Mykhailo Orest's poetry / Kyrijenko, N. M.
Kolirna palitra poeziї Mychajla Oresta = Colored palette of Mykhailo Orest's poetry / Kyrijenko, Natalija
Образ дьявола в литературе как символ надвигающегося катастрофизма = The image of the devil in literature as a symbol of approaching catastrophism / Консон, Г.Р.
"Nežnost' mira": deti v tvorčestve V. Nabokova = "Tenderness of the world": the children in the work of Vladimir Nabokov / Nakarjakova, A. A.
Языковые средства выражения значения неизменности внешнего мира в поэтическом творчестве С.А. Есенина = The language modes of expression the meaning of permanence of the outside world in Esenin poetry / Южакова, Ю.А.
Interpretacija obrazu T. Ševčenka v liryci V. Samijlenka = Interpretation of T. Shevchenko's image in the poetry of V. Asmiilenko / Starosta, Oleksandr
Interpretacija invariantnoj modeli "les" v tvorčestve Teodora Štorma = The Interpretation of the Invariant Model "Forest" in Works by Theodore Storm / Kidrjanova, E. R.