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Online Contents (OLC) Slavistics

The database "Online Contents" (OLC) Slavistics gathers the approx. 300,000 tables of contents of approx. 498 most important Slavic periodicals with the reporting period from 1998 until today and is being processed continuously by the Berlin State Library - Prussian Cultural Heritage. A list of authors as tag cloud can be found here.

ID2000788874
Author(s)Izmodenova, A. S.
Title

Svoeobrazie chudožestvennogo konflikta v filosofskoj lirike Migelja de Unamuno: koncepcija Agonista i Strannika = Artistic conflict in philosophical lyrics by Miguel de Unamuno: concept of Agonist and Wanderer

PublishedVestnik Rossijskogo Universiteta Družby Narodov / Serija literaturovedenie, žurnalistika, Moskva : Izdat. Univ, 22, 2017, 3, 501-508
SoundexS8178; C4288; K4635; F3583; L5740; M6450; U0666; K4681; A0468; S8276; A0728; C4635; P1581; L5788; M6450; U0666; C4681; A0468; W0627
Mediumarticle
URLjournals.rudn.ru (homepage)
Holdings (in Germany)see in ZDB-Katalog
Holdingssee in WorldCat
SourceOLC Slavistik
PURLCitation link, BibTeX

More like this:

Miguel de Unamuno. Pomiȩdzy fikcja̧ a rzeczywistościa̧ / Kłosińska-Nachin, Agnieszka
Svoeobrazie chudožestvennogo konflikta v p'esach Volodina / Malachova, T. I.
Koncepcija cel'nosti v filosofskoj publicistike slavjanofilov = The concept of integrity in the philosophical essays of slavophiles / Grekov, V. N.
O strukture chudožestvennogo konflikta = Antinomy and binary archetype in the structure of the conflict / Kovalenko, A. G.
Raskrytie neopredelennosti čeloveka v lirike i koncepcija ėtnogeneza L. Gumileva = Disclosure of human uncertainty in the lyrics and L. Gumilev's concept of ethnogenesis / Voronin, V. S.
Obraz vremeni v knige S. Aleksievič "Vremja sekond chėnd": svoeobrazie chudožestvennogo konflikta = The image of the time in the book of S. Alexievich "Second-hand Time": the originality of the artistic conflict / Gurska, K.
Svoeobrazie konflikta v drame Oskara Uajl'da "Salomeja" = Conflict peculiarity in Oscar Wilde's drama "Salomé" / Valova, O. M.