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The European Bibliography of Slavic and East European Studies (EBSEES) collects books, journal articles, reviews and dissertations from Eastern Europe (former countries of Eastern Bloc) which were published in Belgium, Germany, Finland, France, Great Britain, the Netherlands, Austria and Switzerland from 1991 to 2007. The segment "Literature" and "Culture" of the European Bibliography of Slavic and East European Studies contains 18.000 bibliographic entries (from the total asset of 85.000). More information can be found here.
Your search for Russia, USSR, Russia (Federation) / Literature / Čehov, Anton P. provides 228 hits | |
171 | Die Redgrave-Sisters. «Drei Schwestern» auf dem Kontinent. Tschechow aus LondonRichard, Christine, in: Theater heute, 32(5), 1991, p. 66 |
172 | Absurdes Weltbild bei Anton P. Čechov und Daniil I. CharmsTischler, Karin, Salzburg, Dipl.-Arb., 1992, 74 p |
173 | Mania Sakhalinosa: an episode in the life of Dr. Anton ChekhovCoope, John, in: Medical History, 23, 1979, p. 29-37 |
174 | Čechovs Drama im Horizont des Theaters der décadenceDeppermann, Maria, in: Wechselbeziehungen zwischen slawischen Sprachen, Literaturen und Kulturen in Vergangenheit und Gegenwart. Akten der Tagung aus Anlass des 25jährigen Bestehens des Instituts für Slawistik an der Universität Innsbruck (Innsbruck, 25.-27. Mai 1995), 1996, p. 319-35 |
175 | Frauengestalten in Čechovs ErzählungenKronberger, Beatrix, Wien, Univ., Dipl.-Arb., 1996, 317 p |
176 | Which came first: the System or «The Seagull»?Merlin, Bella, in: New Theatre Quarterly, 15(3), 1999, p. 218-27 |
177 | 'Thinking with Chekhov': the evidence of Stanislavsky's notebooksHristić, Jovan, in: New Theatre Quarterly, 11, 1995, p. 175-83 |
178 | Correspondance avec Olga: 1899-1904[Čehov] Tchekhov, Anton, Paris, Albin Michel, 1991, 152 p. |
179 | Gross und klein, andersrum... Ein Tschechow-Projekt in Düsseldorf: Dimiter Gotscheff, Stefan Moskov, Samuel Fintzi inszenieren und spielen den «Kirschgarten» und «Schwanengesänge»Preusser, Gerhard, in: Theater heute, 36(7), 1995, p. 19-20 |
180 | Consideration of language as an alienating force in the major plays of Anton Chekhov and in Eugène Ionesco's «La cantatrice chauve», «La leçon» and «Les chaises»Rodrigue, H., Nottingham, MA thesis of University, 1996 |