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The Bibliographic Database of German Publication on Russia, the Soviet Union and its Successor States (RussGus) contains about 170.000 records from 1974 to 2003 and collects publications of different document types: books, dissertations and other university publications, articles from journals and newspapers including reviews, maps etc. The lists of personal and geographical subjects are located here and here.
| ID | 133746 |
| Author(s) | Eshelman, Raoul |
| Title | Gumilev and Neoclassical Modernism. |
| Institution | Universität Konstanz, 1988 |
| Country | Deutschland |
| Form | Hochschulschrift als Monographie |
| Subjects (Person) | Gumilev, N.S.; Brjusov, V.J. |
| Subjects (Geo) | Iran |
| Classification | LITERATUR, DICHTUNG Einzelne Schriftsteller und Dichter Gumilev, N.S. |
| Classification | LITERATUR, DICHTUNG Literaturgeschichte Russische Literatur Vorrevolutionäre russische Literatur Russische Literatur des 19. Jahrhunderts bis zur Oktoberrevolution |
| Soundex | G4650; N6858; M6276 |
| Abstract | Inhalt: Introduction: Statement of purpose. S. I./ Biographical notes. S. III./ The reception of Gumilev. S. VI./ Methodological statement of purpose. S. XV./ I. Neoclassical Modernism: Acmeism and the concept of order. S. 1./ Neoclassical Modernism. S. 4./ The decline of Neoclassical Modernism. S. 6./ Neoclassicism and the reception of Acmeism. S. 8./ The poetics of absent order. S. 10./ The Low (didactic) Style. S. 18./ The Middle Style. S. 20./ The High Style. S. 23./ Brjusov and the High Style. S. 25./ The Metaphysics and the High Style. S. 26./ The Neoclassical Modernist Sign. S. 31./ II. The Aesthetics of Neoclassical Modernism and Gumilev's atomistic world view: The poetics of Neoclassical Modernism. S. 40./ Brjusov's poetics. S. 44./ Gumilev as "Theoretician". S. 46./ "Žizn' sticha" and the transition to Post-Symbolism. S. 47./ The transition to Acmeism: "Nasledie simvolizma i akmeizm". S. 57./ The late essays. S. 65./ "Čitatel'". S. 66./ "Anatomija stichotvorenija". S. 71./ Summary. S. 76./ III. Gumilev, Acmeism and Neoclassical Modernism: Acmeism's undermining of Neoclassical Modernism. S. 78./ Acmeist semantics and Neoclassical Modernist Style. S. 83./ Gumilev's Neoclassical Acmeism. S. 86./ Čužoe nebo: Gumilev's early acmeist poetry. S. 87./ "Somnenie". S. 92./ "Sovremennost". S. 94./ "Ona". S. 95./ Gumilev's place within acmeism. S. 101./ Gumilev's High Style and the Great War. S. 103./ IV. Koster and magical nature: "Samofrakijskaja Pobeda". S. 108./ "Ledochod" and Magical Nature. S. 11./ Erotic religious poetry. S. 120./ "Utešenie" and didactic religious poetry. S. 123./ Gumilev's theodology as a "correction" of Symbolism. S. 127./ V. Mysticism and Aesthetic Discourse: Defining mysticism. S. 130./ Typologizing mysticism. S. 130./ The Gnoseological mode. S. 133./ Ontological mysticism. S. 136./ Russian orthodoxy and mysticism. S. 140./ Aesthetic mysticism. S. 142./ Mysticism and decentric modernism. S. 143./ Ontological mysticism and Aesthetics. S. 149./ VI. Visionary mysticism: "Duša i telo": Ognennyj stolp. S. 151./ The tradition of disputes between body and soul. S. 155./ Formal and semantic elements. S. 157./ Image, allegory and theme. S. 160./ The Soul: The Body. S. 165./ The third voice. S. 168./ Reading "Duša i telo". S. 173./ VII. The word and the poet: Gumilev's religious logocentrism: Logos and the tradition of logocentric mysticism. S. 176./ Formal and semantic aspects. S. 180./ Imagery and theme. S. 181./ Intertextuality: Encyclica and Anti-Encyclica. S. 188./ VIII. Sensual and ecstatic mysticism: The Persian Poems: The Persian tradition. S. 191./ Gumilev's Persian imitations. S. 192./ "Podražan'e persidskomu". S. 199. |
| Location | Search WorldCat |
| PURL | Citation link |
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