EBSEES: Grunewald, H. - Rethinking dramatic action on the basis of an intertextual reading of Chekov's «Tri sestry» and «Vishnevyi sad», Kharms's «Elizaveta Bam» and Petrushevskaia's «Tri devushki v golubom» in relation to the theatre of the absurd

The European Bibliography of Slavic and East European Studies (EBSEES) collects books, journal articles, reviews and dissertations from Eastern Europe (former countries of Eastern Bloc) which were published in Belgium, Germany, Finland, France, Great Britain, the Netherlands, Austria and Switzerland from 1991 to 2007. The segment "Literature" and "Culture" of the European Bibliography of Slavic and East European Studies contains 18.000 bibliographic entries (from the total asset of 85.000). More information can be found here.

ID	70882
Author(s)	Grunewald, H.
Title	Rethinking dramatic action on the basis of an intertextual reading of Chekov's «Tri sestry» and «Vishnevyi sad», Kharms's «Elizaveta Bam» and Petrushevskaia's «Tri devushki v golubom» in relation to the theatre of the absurd
Year	2000
Place	PhD thesis of the University of Nottingham
Language(s)	eng
Subjects	Russia, USSR, Russia (Federation) / Literature / Čehov, Anton P. [Browse all] Russia, USSR, Russia (Federation) / Literature / Harms, Daniil I. [Browse all] Russia, USSR, Russia (Federation) / Literature / Petruševskaja, Ljudmila S. [Browse all]
Medium	book
Holdings	Search WorldCat
PURL	Citation link

	Of words and worlds: language games in «Elizaveta Bam» by Daniil Kharms / Roberts, G.H.J.
	Russian dining: theatre of the gastronomic absurd / Goldstein, Darra
	Tri goda v russkom Pariže / Miljutina, Tamara
	Aspects of dramatic communication: action, non-action, interaction: (A.P. Čechov, A. Bloch, D. Charms) / Stelleman, Jenny M.
	Theatre as action: Soviet Russian avant-garde aesthetics / Kleberg, Lars
	Absurd tales / [Ronšin] Ronshin, Valery
	«Svad'ba i smert' - sestry» / Eremina, Valerija

The European Bibliography of Slavic and East European Studies (EBSEES) - 1991-2007

Rethinking dramatic action on the basis of an intertextual reading of Chekov's «Tri sestry» and «Vishnevyi sad», Kharms's «Elizaveta Bam» and Petrushevskaia's «Tri devushki v golubom» in relation to the theatre of the absurd