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The European Bibliography of Slavic and East European Studies (EBSEES) collects books, journal articles, reviews and dissertations from Eastern Europe (former countries of Eastern Bloc) which were published in Belgium, Germany, Finland, France, Great Britain, the Netherlands, Austria and Switzerland from 1991 to 2007. The segment "Literature" and "Culture" of the European Bibliography of Slavic and East European Studies contains 18.000 bibliographic entries (from the total asset of 85.000). More information can be found here.
| ID | 67648 |
| Title | Russia on reels : the Russian idea in post-Soviet cinema |
| Editor(s) | Eds.: Beumers, Birgit |
| Year | 1999 |
| Pages | viii+219 p. |
| Place | London |
| Publsiher | I.B. Tauris |
| Language(s) | eng |
| Annotation | Cf.: Beumers, Birgit, "Introduction", p. 1-11; Kovalov, Oleg, "The Russian idea: synopsis for a screenplay", p. 12-24. Part I: The Russian Idea: a historical and cinematographic perspective: Condee, Nancy, "No glory, no majesty, or honour: the Russian Idea and inverse value", p. 25-33; Taylor, Richard, "Now that the Party's over: Soviet cinema and its legacy", p. 34-42; Russian cinema - national cinema? Three views: Selianov, Sergei, "'Cinema and Life' (October 1997)", p. 43-45; Dondurei, Daniil, "'The State of the National Cinema' (December 1997)". p. 46-49; Mihalkov, Nikita, "'The function of a national cinema' (May 1998)", p. 46-49. Part II: Remapping, fragmenting, myth-making: in search of the Russian Idea: Widdis, Emma, "Viewed from below: subverting the myths of the Soviet landscape", p. 66-75; Beumers, Birgit, "To Moscow! To Moscow? The Russian hero and the loss of the centre", p. 76-90. Part III: The Past of the Fatherland Reviewed: Moskvina, Tatiana, "La grande illusion", p. 91-104; Zhuravkina, Natasha, "Fathers for the Fatherland: the cult of the leader in Russian cinema", p. 105-13; Gillespie, David, "New versions of old classics: recent cinematic interpretations of Russian literature", p. 114-26. Part IV: The Russian Idea for contemporary film-makers: Iampolski, Mikhail, "Representation - mimicry - death: the latest films of Alexander Sokurov", p. 127-43; Roberts, Graham, "The meaning of death: Kira Muratova's cinema of the absurd", p. 144-60; Graffy, Julian, "Dmitri Astrakhan: popular cinema for a time of uncertainty", p. 161-79 |
| Series | KINO: the Russian cinema series |
| Subjects | Russia, USSR, Russia (Federation) / Cinema, Film, Video [Browse all] Astrahan, Dmitrij Muratova, Kira Sokurov, Aleksandr |
| Review(s) | Review by Taubman, Jane, in Slavonica, 6(1), 1999-2000, p. 129-30; by Iordanova, Dina, in Europe-Asia Studies, 52(3), 2000, p. 587-89 |
| Medium | book |
| Holdings | Search WorldCat |
| PURL | Citation link |
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