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The European Bibliography of Slavic and East European Studies (EBSEES) collects books, journal articles, reviews and dissertations from Eastern Europe (former countries of Eastern Bloc) which were published in Belgium, Germany, Finland, France, Great Britain, the Netherlands, Austria and Switzerland from 1991 to 2007. The segment "Literature" and "Culture" of the European Bibliography of Slavic and East European Studies contains 18.000 bibliographic entries (from the total asset of 85.000). More information can be found here.
| ID | 103644 |
| Author(s) | Lipovetsky, Mark |
| Title | Russian Literary Postmodernism in the 1990s |
| Published | Slavonic and East European Review 79, 2001, pp. 31-50 |
| Language(s) | English |
| ISSN | 0037-6795 |
| Subjects | Russian Postmodernism / Criticism and Interpretation [Browse all] Russian Literature / Postmodernism [Browse all] Soviet Union / Postmodernism [Browse all] |
| Note | "The article raises the question of typology of Russian literary postmodernism. The author argues that since its very birth, Russian postmodernism has been represented by two opposing trends which he terms conceptualism and neo-baroque. The author suggests that these two trends began at the end of the 1960s and developed simultaneously in the underground culture of the 1970s-80s. Sharing the major features of postmodernist poetics, they have different origins, have developed opposing artistic strategies, and have shaped philosophical concepts. However, in the 1990s both these trends of conceptualism and neo-baroque reached the point where poetics and artistic ideas began to merge, and the bi-polar structure of Russian literary postmodernism began to dissolve. The later hypothesis is illustrated in the article by the comparative analysis of novels written by the two leading writers of each of these trends – Goluboe salo (The Blue Fat) by Vladimir Sorokin and Generation P by Viktor Pelevin (both written in 1999)." |
| Medium | article |
| Holdings | see in ZDB-Katalog |
| PURL | Citation link |
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